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The choice to sing in their native Slovenian language was an intuitive pathway towards communicating emotions beyond language barriers. “What at first seemed like a wall, turned out to be a bridge,” they say. “There can be a trust that, when you go to say something, the person across from you will understand, and I made these in that spirit of good faith.” At its base, Martin Iz Zgornje Bele paints with a collection of delicate moments, sparsely arranged with fan organ, guitar, mandolin, recorders, cello, glockenspiel and a whole orchestra of instruments that spend most of the time staying quiet, until their moment arrives.
“Any honesty is because I put no pail between me and the person I am singing to, I am trying to find the most direct way across, to show what dances right next to my soul and demands to be shared. What results is a third thing, between me and the listener, hopefully greater than the sum of its parts.”
Ba Da Bing, 2025